












Daniel Faia is committed to providing small group instruction for an optimal learning environment. With over 30 years of experience as a professional maker and educator, Dan develops and teaches each workshop.
The curriculum is designed to build and enhance skills for all aspects of traditional woodworking, furniture making, and woodcarving.
There is an emphasis on tools, techniques, procedures, and designs while honoring historic periods and the integrity of craftsmanship.
Students must be at least 18 years of age.
Registration is limited to no more than five students per workshop.
Workshop fees include tuition and materials, unless otherwise noted.
Finishing, upholstery, and hardware supplies/instruction are not included.
A tool list will be provided upon workshop registration.
Students are encouraged to bring their own tools; however, most tools are available (unless otherwise noted) for students to use/share on-site, if needed.
Students must provide their own personal protective equipment:
safety glasses, hearing protection, and dust mask.
For most workshops, some material preparation is done in advance to help facilitate the structure of the curriculum.
Level of progress will vary by student, and take-home work following the workshop should be expected.
Wood selection for workshop exercises/projects may vary.
Students are solely responsible for transporting/shipping their projects upon workshop completion (please see FAQ's for additional information).
Studio Location (effective January 1, 2026):
3 High Street, Suite C
Sanbornville, NH 03872
Workshop Hours (effective January 1, 2026):
8:30 am - 4:30 pm
(lunch break from 12:00 pm - 1:00 pm, on your own)
For maximum benefit, it is imperative that students are punctual.
Additional/make-up time is not available.
How to Register for a Workshop:
Prospective students must first review all policies and then email Dan at dcfwoodcarver@gmail.com if they are interested in registering for a workshop. The email inquiry should include the title and scheduled date(s) of the requested workshop. If space is available, Dan will send a follow-up email with a registration form, payment instructions, and tool list.
If space is not available in the requested workshop, a waiting list is optional.
If prospective students don't receive a response from Dan within 24 hours, they should follow up to make sure that he received their request.
A workshop registration is not confirmed until the completed/signed workshop program registration form and check payment have been received and processed. Electronic payment methods, such as credit cards, debit cards, Venmo, and Zelle, are not accepted.
Please scroll through this entire page for a complete list of offerings, workshop information, and student testimonials, and check back periodically for updates.
Please note the new studio location, workshop hours, and policies for 2026.
Please email Dan on or after January 1, 2026 (8 am EST) to inquire about registration.

Thursdays, February 5, 2026 - March 26, 2026 (weather permitting)
Fee: $50.00 per 3-hour session (project material is not included)
Hours: 2:00 pm - 5:00 pm
Email Dan up to one week in advance of an open carving guided instruction session to inquire about registration.
Open carving guided instruction sessions are intended for students (at least 18 years of age) with some carving experience who are currently working on an independent traditional woodcarving project and are interested in guided instruction. Students must provide their own project material and arrive to the session with their material “ready to be carved”. Milling/material prep is not available on-site. Projects that Daniel Faia teaches in his workshop program are not suitable for open carving guided instruction sessions. Students will be using a standard workbench during the session, so their carving project must fit within those space parameters. Students should bring their own carving tools (sharp and ready to go), but some carving tools are available for students to use/share on-site, if necessary. Level of progress will vary by student.
All open carving guided instruction sessions are weather permitting and may be canceled by Daniel Faia due to inclement weather.
Advance registration is required for each session, and payment (cash or check payable to Daniel Faia) is due at the beginning of each session. Electronic payment methods, such as credit cards, debit cards, Venmo, and Zelle, are not accepted.
Registrations are limited to five students per session on a first-come, first-served basis, and are not transferable.
Prospective students may email Daniel Faia to inquire about registration up to one week in advance of an open carving guided instruction session.
The email inquiry should include the scheduled session date and a brief description of the carving project.
Please click here to review the complete registration and cancellation policy for open carving guided instruction.

Thursday, April 23, 2026 - Sunday, April 26, 2026
Fee: $900.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This 4-day workshop is designed to build a strong foundation of essential skills necessary for woodcarving. Students will take a deep dive into many of the techniques and processes of decorative woodcarving. Students will learn to carve traditional designs through a series of exercises that include incised carvings, carved moldings, relief carvings, and an applique carving. These projects were developed to build knowledge, confidence, and good work habits for successful woodcarving. Topics and discussions will include: properties of wood technology; tool selection; care and sharpening of carving tools; proper stance and technique; and design and layout of woodcarving styles.

Saturday, May 9, 2026 - Sunday, May 10, 2026
Fee: $425.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This 2-day workshop is designed to develop and enhance the essential drafting skills for furnituremakers. The exercises and discussions will focus on the technical aspects of furniture making, with an emphasis on joinery, construction details, material choices, and basic design. Topics will include: drafting tools and equipment; drafting processes; joinery options and details; creating patterns; project development and procedures; and scaling from a photograph.
Drafting boards will be available for each student to use on-site. However, students must provide their own drafting tools. A required tool list will be provided upon registration, and students should plan accordingly in advance in order to be prepared.

Sunday, May 17, 2026
Fee: $225.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
The traditional pineapple motif is a well-recognized symbol of hospitality. This 1-day workshop is designed to explore a high relief carving. Students will learn how to read the pattern, securely hold the work, develop techniques for shaping and forming the profile, and detail the finer elements.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 9 ½”H x 5 ¼”W

Thursday, May 28, 2026 - Sunday, May 31, 2026
Fee: $900.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This 4-day workshop is designed to build a strong foundation of essential skills for furniture making. Hand tool woodworking is a satisfying craft that can easily be integrated into a machine efficient shop. Students will develop skills and knowledge as they chisel, plane, and shave through the projects and exercises. Topics and discussions will include: tuning, sharpening, and maintaining the basic tools of the furnituremaker (hand plane, card scraper, bench chisels); wood technology; stock preparation and reference surfaces; layout and cutting of traditional joinery (lap joints, mortise and tenon joints, dovetails); and construction design for furniture.

Thursday, June 11, 2026 - Sunday, June 14, 2026
Fee: $1200.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This workshop model was inspired by a rare Chippendale dressing box (circa 1760-1780). The overall design is an ideal project to learn the methods and processes for serpentine and blocked furniture. The rectangular case has ogee bracket feet and a serpentine molded front edge with a single serpentine/blocked drawer. Topics and discussions during this 4-day workshop will include: project layout and procedure; cutting joinery; layout of case and drawer blocking; cutting, shaping, and fairing drawer and case; building and fitting a drawer; small bracket feet; and construction/design variations.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Hardware and finishing supplies/instruction are not included.
Approx. Dimensions: 4 ¾”H x 16 ½”W x 8 ¾”D

Monday, June 22, 2026 - Friday, June 26, 2026
Fee: $1200.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This carved eagle plaque workshop was developed to recognize America’s 250th Celebration. The model was inspired by an original carving by Samuel McIntire that adorned Hamilton Hall in Salem, MA (circa 1805). The eagle has been a symbol of strength, courage, honor, and pride throughout history. This large-scale carving features an eagle with a dramatic open-mouth head profile, intricate feather detailing, right claw grasping a stars and stripes shield, and left claw holding arrows and an olive branch. Topics and discussions during this 5-day workshop will include: shaping and modeling the eagle’s head and body; creating the feather shapes and details; and layering the shield with the claws, arrows, and olive branch ornamentation.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 31”L x 11 ½”W
This workshop model is in progress (preliminary sketch shown).

Thursday, July 9, 2026 - Sunday, July 12, 2026
Fee: $1200.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
In this 4-day workshop, students will create an open-back bookcase that was designed to include several skill sets. The stylized piercings are divided by contrasting vertical bars that are let-in to the case sides. The two-shelf design, with raised base, incorporates accent wood stretchers to enhance the details. The case front has two vertical angled stiles that receive the front edges of the shelves. Joinery techniques will include through dovetails, various tenons, slip joints, and dados.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 42”H x 24”W x 12”D

Saturday, July 18, 2026 - Sunday, July 19, 2026
Fee: $500.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
The codfish is a regional symbol that celebrates the history and prosperity of the early fishing industry in New England. In this 2-day workshop, students will create a carved codfish wall decoration. Topics and discussions will include: layout and design; methods to secure the work; shaping and modeling the profile; and fine detailing techniques.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 28”L x 9 ½”W

Monday, July 27, 2026 - Saturday, August 1, 2026
Fee: $1800.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
Chair making provides an opportunity for creativity through the blending of design and form. The workshop model is a fusion of modern and classic styling using traditional joinery. This contemporary side chair has an X-frame seat rail system, curved posts, a curved and shaped crest rail and splat, and a solid shaped seat. Topics and discussions during this 6-day workshop will include: design and patterns; construction details; cutting and fitting joinery; cutting, fairing, and shaping curved elements; and shaping and sculpting the seat.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.

Thursday, August 6, 2026 - Sunday, August 9, 2026
Fee: $900.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
In this 4-day workshop, students will create a carved oval panel that features a lobster, lobster trap, starfish, shells, and decorative border. Topics and discussions will include: reading the pattern; layout and design; methods to securely hold the work; grounding techniques and methods; shaping and forming the profiles; establishing the fine details of each element; and forming the carved rope border.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 19”L x 15”W
This workshop model is in progress (preliminary sketch shown).

Thursday, August 20, 2026 - Sunday, August 23, 2026
Fee: $1200.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This workshop model was inspired by an original Chippendale side table from Newport, Rhode Island (circa 1780). The table has molded Marlborough legs, integrated ogee rail brackets, a rectangular molded top, and a molded lipped dovetailed drawer. Topics and discussions during this 4-day workshop will include: project layout and procedure; cutting and fitting table joinery; cutting, shaping, and fairing rail brackets; creating internal components for drawer operation; building and fitting a lipped drawer; molding table legs, drawer front, and top; and construction and design variations.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Hardware and finishing supplies/instruction are not included.
Approx. dimensions: 27”H x 28”W x 18”D

Saturday, August 29, 2026 - Sunday, August 30, 2026
Fee: $450.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
The laurel wreath has been a symbol of peace, honor, victory, triumph, and achievement throughout history. This carving workshop model was inspired by the original work of John Haley Bellamy (Portsmouth, NH circa 1875). The small wreath design enables students to learn many techniques and procedures used in creating a pierced carved ornament. Topics and discussions during this 2-day workshop will include: layout and design; methods to secure the work; shaping and modeling the profile; and fine detailing techniques.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Size: 10” Diameter

Friday, September 11, 2026 - Sunday, September 13, 2026
Fee: $900.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This workshop model was inspired by an original Charles Rohlfs table (circa 1888). His innovative designs are a fusion of the Arts & Crafts and Art Nouveau styles. In this 3-day workshop, students will create a trefoil table with shaped and profiled legs and stretchers, mortise and tenon joints, 3-way miters, and a shaped and carved top.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 22”H x 19”W x 19”D

Sunday, September 20, 2026 - Saturday, September 26, 2026
Fee: $2200.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This workshop model was inspired by an original shield-back side chair carved by Samuel McIntire (circa 1795-1800). Students will create a side chair that features the distinctive shield-back design with three carved splats, carved cap, molded posts/crest/mid-rail, tapered and carved front legs, and ash seat rails to receive the over the rail upholstery (upholstery supplies/instruction are not included in this workshop).
Topics and discussions during this 7-day workshop will include: sawing, fairing, and shaping curved components; mortise and tenon joints for curved components; fitting the shaped splats with curved shoulders; hand-shaping the molded surfaces; angled and compound angled mortise and tenon joints; and a variety of carved ornamentation (leaves, bellflowers, paterae, beads, and flutes).
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing and upholstery supplies/instruction are not included.
This workshop model is in progress (preliminary sketch shown).

Thursday, October 1, 2026 - Sunday, October 4, 2026
Fee: $900.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This 4-day workshop is designed to build a strong foundation of essential skills necessary for woodcarving. Students will take a deep dive into many of the techniques and processes of decorative woodcarving. Students will learn to carve traditional designs through a series of exercises that include incised carvings, carved moldings, relief carvings, and an applique carving. These projects were developed to build knowledge, confidence, and good work habits for successful woodcarving. Topics and discussions will include: properties of wood technology; tool selection; care and sharpening of carving tools; proper stance and technique; and design and layout of woodcarving styles.

Thursday, October 15, 2026 - Sunday, October 18, 2026
Fee: $975.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This carving workshop model was inspired by an original Samuel McIntire architectural finial (circa 1800). It is a classic turned ornament in the Federal style with flame finial, draped urn form featuring bows and swags, beading, and gadrooning. The focus of this 4-day workshop is to learn techniques and procedures for carving on a turned element. The finial is an ideal project to gain practical experience with this type of carving, and it also makes an incredible showpiece!
The turning will be provided for students.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 24”T x 6 ¼” Diameter

Saturday, October 24, 2026 - Sunday, October 25, 2026
Fee: $425.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This 2-day workshop is designed to develop and enhance the essential drafting skills for furnituremakers. The exercises and discussions will focus on the technical aspects of furniture making, with an emphasis on joinery, construction details, material choices, and basic design. Topics will include: drafting tools and equipment; drafting processes; joinery options and details; creating patterns; project development and procedures; and scaling from a photograph.
Drafting boards will be available for each student to use on-site. However, students must provide their own drafting tools. A required tool list will be provided upon registration, and students should plan accordingly in advance in order to be prepared.

Friday, November 6, 2026 - Sunday, November 8, 2026
Fee: $675.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This carving workshop model was inspired by original drawing plates from Ince and Mayhew’s Authentic Georgian Furniture Designs (1762). Students will carve a decorative panel in the Georgian style with various leaves, flowers, volutes, and filigree. Topics and discussions during this 3-day workshop will include: reading the pattern; layout and design; methods to secure the work; grounding techniques and methods; shaping and forming the profile; and detailing the finer elements.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 17”H x 11”W
This workshop model is in progress (preliminary sketch shown).

Saturday, November 14, 2026 - Sunday, November 15, 2026
Fee: $475.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
The elegant carved rim of the well-known stately pie crust tables captures the eyes and hearts of collectors and furnituremakers. In this 2-day workshop, students will learn the process to carve the pie crust edge as they create a small circular tray. Topics and discussions will include: layout and design; developing patterns; securing and holding the work; and shaping/detailing techniques.
The turning will be provided for students.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Size: 10” Diameter

Saturday, November 21, 2026 - Sunday, November 22, 2026
Fee: $475.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
The artful designs of inlay have decorated furniture for centuries. In this 2-day workshop, students will create a flat inlaid platter with a compass star focal point, banded perimeter detail, and accent handles. Topics and discussions will include: project layout; pattern designs; installing and mitering banding; and compass star inlay.
The banding will be provided for students.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood/banding selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 15 ¾”L x 10”W

Saturday, December 5, 2026 - Sunday, December 6, 2026
Fee: $450.00
Hours: 8:30 am - 4:30 pm
Lunch Break: 12:00 pm - 1:00 pm (on your own)
Email Dan on/after 1-1-26 (8 am EST) to inquire about registration.
This 2-day workshop is designed to cover the foundational skills for letter carving in wood. Using Roman style lettering as the guide, students will learn how to carve straight, curved, and combined letters and numbers with serifs. There will also be an introduction to elegant script lettering. Topics and discussions will include: layout and design; tool selection; wood grain orientation; and the foundational techniques of letter carving. In addition to the introductory and practice exercises, students will create a “Welcome” sign.
Level of progress will vary by student, and take-home work following the workshop should be expected. Wood selection may vary.
Finishing supplies/instruction are not included.
Approx. Dimensions: 18”L x 5 ½”W
“If you’re on the fence about taking one of Dan’s courses, just do it. Dan has a great and personal way of explaining things with common sense and an understandable manner. He takes the time to make sure all your questions are answered and gives you the comfort to try new things from a position of confidence. Taking a class with him is a great step toward developing the skills you need to take your woodworking to the next level. The shop is well set up and gives a homey feeling as you work in your own space. My only regret is waiting so long before signing up for one of Dan’s classes.”
“I took two private instruction days and a class with Dan in 2022 and they were really good and really enjoyable. I learned a lot and enjoy Dan’s style of teaching. I’ve already signed up for another class in 2023 and if I lived closer, I’d be there for every class."
“After my first workshop with Dan, I knew I wanted to take more from him. (So far I’ve taken 3 within 7 months!) Not only is Dan an excellent furniture maker and woodcarver, but he’s also an exceptional teacher. He’s patient, encouraging, well prepared, and methodical. Dan breaks down the content into lessons that are easy to understand and have just the right amount of content to execute before moving onto the next one without feeling rushed. By having small class sizes, Dan is able to give each student individual attention. He comes around to see how we’re doing, always giving encouragement or praise, and offers suggestions and help if needed. I’m new to woodworking and carving, but felt very comfortable learning with other students much more experienced than I am. I enjoy Dan’s workshops so much that I plan to take ones I hadn’t even considered.”
"I am thrilled that Dan has set up shop in Rollinsford. I first met him when I took a class at North Bennet Street School and jumped at a chance to take his workshop on the Queen Anne Table. His technique for teaching and his demeanor in teaching style are perfect for an amateur woodworker like me that tries to soak up as much knowledge of history and technique from the instructor as I can. I love the way the table turned out and know that with Dan’s help, I created a piece that will last for generations. I look forward to taking many more workshops from him in the future."
"Dan’s workshops have been perfect for digging into new skills and more advanced projects. The structure and pace of the classes prepared me to apply the skills and finish at home. Dan’s teaching and encouragement have inspired me to tackle more varied and ambitious projects. I’m looking forward to more in the coming year."
"I am a recent retiree with a long time passion for woodworking and period pieces. I was excited to take these classes to advance my skills working with hand tools. Dan provides historical context, a clear demonstration for each technique, and where we can incorporate these skills into our future projects. Dan is approachable and students questions are welcomed in class. The small class size allows for individual help. The lessons I learned in this class will be applicable to future projects at home. I am looking forward to taking several more classes in 2024!"
"This course was a surprise anniversary gift from my spouse, because she knows how much I appreciate Dan’s level of skill and knowledge of fine craftsmanship. I have been studying fine furniture making for over a year and a half, and this course went above and beyond my expectations. Every day, I was met with a new challenge and I learned something new that I can now apply in my own shop. At the end of this 6-day course, I felt that my hand tool skills have gotten much stronger. Dan’s style of teaching was organized and well-structured, which allowed me to follow each step with confidence. I felt really supported in the shop atmosphere and I can’t wait to take another class with him."
“Dan helped me work at levels I never expected…”
"I am an amateur woodworker with a goal to improve my skills and learn from those who are Masters in the profession. As a Professional Craftsman, Educator and SAPFM 2023 Cartouche Award recipient, Dan offers classes for skill building and project based content promoting education to novice through advanced woodworkers. His style is encouraging and calm in a small group or individual based instruction. The other students in the class were also encouraging to everyone. Any shop time is good fun, Dan makes it better."
"As a serious non-professional woodworker interested in fine furniture, I find workshops invaluable. I took several in 2022 from Dan Faia in Rollinsford, NH. The shop itself is perfect for workshops, and the small class size ensured individual attention. Dan packed a lot into the allotted time, but the pace was reasonable, with time to complete the work. What makes Dan's workshops stand out is that he is a professional educator as well as a professional furniture maker, and his explanations and demonstrations of complex joinery and carving techniques were straightforward and clear. Most importantly, what I learned stayed with me after I returned to my own shop. I'll be back and developing more skills in 2023!"
"I have taken several carving and woodworking classes with Dan over the past year or so. Each class raises my knowledge and carving abilities to a new level! Dan has a calm and relaxing demeanor that makes for a wonderful learning environment. He is an incredible woodworker who has that very special gift of being able to bring both the novice and the experienced carver to a new level of confidence in their skills."
"What I learned many years ago is the need for good mentorship. I participated in two workshops last year with specific personal and professional goals in mind. When you’re involved in a solitary vocation or hobby (like woodworking) it is helpful to get another perspective, it is an investment in yourself. Attending Dan’s workshops helped me to re-focus, learn some new skills, refine some existing ones and drop some bad habits. What I enjoyed most was the atmosphere and experience in the shop. The groups are kept small enough to allow Dan to support all skill levels of woodworkers (beginner, intermediate, and advanced) in achieving personal success, without sacrificing the ability or quality of the instruction.
The preparation and legwork done prior to the workshops I attended was perfect (the hallmark of a true educator). I did not want a workshop where the bulk of the project is prepared for you and it basically becomes an assembly session (what is the point of that). Dan ensured the preparation for a workshop set the student up for success, while allowing the student to push beyond their boundaries. For me, I gained knowledge that will be applied in my shop. Every woodworker (regardless of skill level) needs to sharpen their skills on a routine basis, and every woodworker should have a mentor that will push you and provide critical guidance. Dan is that kind of an educator. I’ll be attending more in the future."
"I highly recommend Dan Faia's woodworking workshops. Dan possesses an exceptional talent for teaching, paired with extensive knowledge and skill in woodworking. His ability to create a comfortable and inviting environment fosters an incredible learning atmosphere that keeps me returning time and again. Dan's workshops are a testament to his dedication to creating an enriching experience, making each visit a valuable and enjoyable learning opportunity. I wholeheartedly endorse Dan Faia's workshops for anyone seeking expert guidance and a welcoming space to hone their woodworking skills."
"The shop is well equipped, organized, comfortable, and pleasing to the eye. I have attended two workshops and each felt bespoke and tailored, not labored or reproduced content. Thus, I have registered for two more in 2023."
"Dan's classes offer expertise in a wide range of classical woodworking techniques, approaches, and execution. Whether you are an experienced professional or a weekend hobbyist much can be learned from his workshops. Dan is a gifted teacher who takes each individual student's ability to the next level. His approach is even handed, caring and thoughtful- you would be hard-pressed to find a better instructor. Challenge yourself and take a class, you won't regret it."
Please note that the images shown with the workshop descriptions above are used for illustrative purposes, and may not reflect actual workshop projects and exercises.